The Osiris Child: Science Fiction Volume One - Official Trailer

 Osiris Child

 Overview

The trailer opens with a sweeping, desolate landscape of a colonised planet. We quickly learn that humanity has pushed outward and now lives off‐world, under the control or influence of a massive military/contractor organisation. The voice‐over and visuals establish a ticking clock, chaos, and personal stakes.

Sy Lombrok (played by Kellan Lutz) — described as a drifter with a haunted past.

Kane Sommerville (played by Daniel MacPherson) — a lieutenant working for the corporation “EXOR”.

Together they must rescue Kane’s young daughter (Indi Sommerville, played by Teagan Croft) amid an outbreak / corporate disaster on the planet.

Visually, the trailer evokes big‐budget sci-fi inspirations — grimy, industrial, with alien threats, heavy firefights, and a sense of desperation. As one commentary put it:

“Here’s the official trailer … which looks like it’s inspired by all sorts of sci-fi and horror pics from Aliens to Blade Runner, Mad Max and even The Fifth Element

Key Elements & Themes

High stakes & ticking clock

The trailer emphasises a planet on the brink of destruction, a betrayal by the corporation, and a desperate rescue mission. This urgency drives the rhythm of the trailer.

 Corporate/military malfeasance

It’s not just aliens or monsters—they hint at a human element: the corporation (EXOR) is responsible for the crisis, making the rescue also an act of defiance.

Unlikely team / redemption arc

Sy, with a troubled past, teams with Kane, a man trying to save his daughter and maybe himself in the process. The classic “redemption through action” motif appears.

The tone is gritty, layered with industrial textures, alien creatures, firefights, tension. Not sleek futuristic utopia — more survival in a harsh frontier. The commentary reference to Mad Max and Aliens hints at this rough‐edged aesthetic.

Family and personal stakes amid grand scale

Despite the broad sci-fi backdrop, the core emotional stake is very human: a father risking everything to save his daughter. That humanisation anchors the trailer.